New, Memphis-set ‘La Boheme’ featured in Opera Memphis’ latest season
The show will be inspired by the time in Memphis when W.C. Handy and William Grant Still were working together on Beale Street.
There are 34 article(s) tagged Opera Memphis:
The show will be inspired by the time in Memphis when W.C. Handy and William Grant Still were working together on Beale Street.
Kayla Oderah and Marquita Richardson are the newest participants in the Opera Memphis’ Handorf Company Artist Program.
The nearly 70-year-old organization hosted an open house to showcase its new location at Peabody Avenue and Cooper Street in Midtown.
This week, Memphis in May celebrates Malaysia, Opera Memphis honors soldiers and Motownphilly’s back again.
“This opera is about empathy. It is about understanding other people’s sacrifice. It is about understanding our responsibility to them, and to each other. It is about things that we forget at our own peril, be it in war, pandemic, our family, our city, our country or the world.”
Ned Canty’s staging of “Tosca” and the ensemble’s excellent musicianship made this an experience to remember in this first-class drama that was evocatively sung. It was particularly timely as well.
One of the opera’s major goals with the move is to be able to use the space cooperatively and collaboratively with other arts groups.
This week, NKA Gallery shows work by Black male artists, Opera Memphis presents a political thriller and you can learn to play the harmonica (for free).
Opera Memphis is currently considering four properties for its new home, three of which are located in the Edge District, an area that Ned Canty said “was deeply appealing from the beginning.”
This week, the Tilt-a-Whirl will be spinning at the Bluff City Fair, the mimosas will be bottomless in Court Square and you can learn how to save your seat (literally).
Opera Memphis’ upcoming one-night showing of “Cosi fan tutte” will rely on audience participation. But, don’t worry, the crowd won’t be asked to sing.
This week, Opera Memphis kicks off 30 Days of Opera, animatronic dinos stomp into the Renasant Convention Center and an art show at Tone explores gender and gender variation.
The local 12-year-old is getting his shot at the big time as the understudy in a production by the Metropolitan Opera in New York City.
Opera Memphis is listing for $3.8 million its 18-year-old, suburban headquarters. Like Ballet Memphis before it, the company plans a move to the heart of Memphis.
Opera Memphis’ Ned Canty talks to Eric Barnes about the organization’s efforts to bring opera out of the opera house, the struggle to support performers during COVID, and the opportunities Opera Memphis has going forward.
Here are a few of our favorite images from this week. A couple of them involve music, but children’s voices and the crack of a baseball bat are also some of our favorite sounds.
The annual “30 Days of Opera” performances, free and outdoors, seem made to order for pandemic times, though the series has been around at Opera Memphis since 2012.
Taking opera from the concert halls to the streets was not a new notion for Opera Memphis. Their annual “30 Days of Opera” features small pop-up performances in unlikely places, from playgrounds and dog parks to libraries and groceries.
While the impact of COVID makes this a particularly urgent moment for the survival of the city’s creative community, ArtsMemphis also plans to make Arts Week an annual event.
With stages, theaters and galleries dark, turn to movie streaming platforms for works on the arts.
Like a “Memphis music milkman,” artist Graham Winchester makes personal deliveries of his new vinyl single, while Opera Memphis vocalists take requests for outdoor neighborhood performances.
The state reports the total number of confirmed cases in Tennessee is 73, and a third Shelby County case has also been reported. That individual is isolated at home and did not contract it in Shelby County.
Ned Canty of Opera Memphis talks about the Ramones, how opera became a "tool of social exclusion," and the evolution of opera globally and in Memphis.
The Grove at GPAC, an outdoor theater with a food pavilion, will be only the second performing arts center in the country to have a Daktronics video wall capable of simulcasting the performance inside to an outdoor audience.
The concert is an exhilarating mix of the fresh and the familiar, from 'The William Tell Overture' to 'You'll Never Walk Alone.'
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