Memphis Movies This Week: Daniel Craig in ‘Queer,’ ‘White Christmas’ at 70
There are still a bunch of film award contenders on-deck, waiting to make their Memphis debuts, but only one is showing up in local theaters this week.
There are 65 article(s) tagged Memphis movies:
There are still a bunch of film award contenders on-deck, waiting to make their Memphis debuts, but only one is showing up in local theaters this week.
While “Wicked,” “Gladiator II” and “Moana 2” dominate screens, you can also catch Glinda, Elphaba, Dorothy and Toto on the big screen at the Pink Palace.
This pre-Thanksgiving weekend brings a couple of prestige-oriented films to the big screen, alongside stars Cynthia Erivo, Ariana Grande, Denzel Washington and Pedro Pascal.
A version of the “beauty and the billionaire” fairy tale, “Anora” won the top prize at the Cannes Film Festival this summer and is now being touted as a top contender for a much more mainstream prize: The Oscar.
“Godzilla Minus One” works as action and drama, as monster-movie and as a metaphor for the nuclear anxiety of postwar Japan. It’s just a terrific movie, according to Chris Herrington.
This week’s recommendations are very much in “proceed with caution” territory. Plus, “Conclave” joins the Oscar race.
Chris Herrington’s pick for the best movie in Memphis this week is Mel Brooks’ black-and-white horror-comedy classic “Young Frankenstein.”
Opening in Memphis on Wednesday is “Beetlejuice Beetlejuice,” a 36-years-later sequel that features all four key principals from the original.
The film stands as both a great Memphis story and a showcase for the city as a filmmaking location that can do more than play itself.
In 1997, Matt Damon's first starring role and Francis Ford Coppola's last major film intersected in Memphis with the third and (so far) final locally set John Grisham adapation.
“Forty Shades of Blue” hit theaters 15 years ago today, and it is now among the many examples of films not currently available on any streaming platform. But if you’re lucky enough to find a way to see it, you’ll encounter a very good move.
As a depiction of the terrain of Memphis, circa 1993, “The Firm” is notable for its trip to the now dated and decaying Mud Island River Park, arguably the most inventive use of a Memphis location in any film. Here, it’s the setting for a climactic Hitchockian chase scene.
Here’s an overview to help Memphis filmgoers navigate what’s out there.
The application states that the 85-acre filmmaking studio will rival any facility in Hollywood, Atlanta or London.