Memphis Movies This Week: ‘Wicked: For Good,’ ‘Pulp Fiction,’ Tav Falco
Chris Herrington says “Pulp Fiction” carries the thrill of a young director coming into his own, taking chances and pulling them off, discovering just how good he can be.
Chris Herrington says “Pulp Fiction” carries the thrill of a young director coming into his own, taking chances and pulling them off, discovering just how good he can be.
The statewide event’s Memphis exhibit will focus on the legacy of the Memphis College of Art.
In East Memphis, an artist’s utopian daydream is becoming a reality.
Erica Qualy, the founder of Memphis Zine Fest, has one word for the make-it-yourself mini-magazines with endless possibilities: liberating.
True stories of Rowan Oak property in Oxford, adopting greyhounds from the racetracks and Tom Lee’s life will be screened at the first Spillit film festival.
Jay Etkin’s been an artist, a gallery owner, the head of a museum, an innovator — and a friend.
The manager of the city’s percent-for-art program is looking for artists of any age to reimagine crosswalks, neighborhood signs, markers and beyond.
Could Jennifer Lawrence be back in a big way? Plus, alien attacks at the Pink Palace, and chickens on the run.
Also in November, five friends and artists invite the public into their new art school and gallery, ShapeShifter.
The Brooks Museum will change its name to “Memphis Art Museum” when it moves to the new building.Related story:
Born in New Jersey, raised in North Carolina and now a mother of two “full-blooded Memphians,” Patricia Lee Daigle is no stranger to change. And as the Brooks Museum’s new chief curator, she’s taking on some big changes.
With Halloween around the corner, here are some spooky films — new and old — to get you in the spirit.
The Memphis Brooks Museum of Art and Arts Council Korea are also planning a three-year partnership that would bring emerging Korean curators to the American Southeast.
“Challengers” and “Call Me By Your Name” director Luca Guadagnino takes a swing at “cancel culture” and Malco’s Throwback Thursday showing this week hits home — partly.
Lauren Rae Holtermann’s career is filled with movie designs and concert posters. But when October rolls around, her Monster Market comes out.
The art project breathes new life into the public basketball court.
A new comedic crime caper and the 25th anniversary encore of a notorious Japanese cult film are on Memphis movie screens this week.
Plus, a Midtown eyewear boutique hosts a reflective exhibition.
Plus, GPAC hosts the work of late Memphis College of Art graduate Edward H. Perry, and Sheet Cake Gallery opens two exhibitions.
Fall arrived — on the calendar and in the theaters. Paul Thomas Anderson’s “One Battle After Another” begins a string of award-season hopefuls, including one the could solidify Dwayne “The Rock” Johnson’s transition from the mat to the matinee.
It’s a big week of both new and old movies on public screens in Memphis, including one instance of the two categories intersecting.
Nearly 300 creations by Memphis artists will be available to purchase at Art for Jobs, the annual charity event hosted by Advance Memphis.
There are plenty of new movies opening this week, but it’s a particularly good week for Memphis’ inconsistent repertory scene. Plus, Chris Herrington gives us his top 5 Robert Redford movies.
The movie/TV Stephen King adaptation doesn’t have a great history, but it does have a lengthy one.
Two interns are from Memphis while the other is from Nashville.
Also, opening this week: “The Conjuring: Last Rites” and “Love, Brooklyn” with “Moonlight” star Andre Holland.
Memphis filmmaker and author Robert Gordon and his partners are gearing up for the world premiere of “Newport & the Great Folk Dream,” and they want to be clear: It is not a music documentary.
The new museum will feature a new Monroe Avenue plaza connecting the museum to the Cossitt Library and providing access to the Mississippi River.
Here’s a roundup of what’s coming to local art galleries in September.