At the “New Works by Marion Malone and Alicja Trout” exhibit at Church Health, art by mother and daughter artists merge into one show.

Indie Memphis announced Friday it was “pausing” programming, but the organization is adamant the “intermission isn’t goodbye.”

April artists on view in Memphis include Dolph Smith, Colleen Couch, April Bey, Joel Parsons, Brian Jobe, Kiersten Williams, Yancy Villa, and many more.

What were the odds English-Irish actor Steve Coogan would grace local screens twice this week? Strangely, pretty good.

The exhibit features paintings and an interactive gallery that immerses visitors in community, history, love and reflection. 

After updating “The Lion King” and “The Little Mermaid” in a semi-live-action style, Disney goes back to its theatrical roots with “Snow White.”

The new pass is now available at Memphis libraries and community centers. It provides elementary students and their families free access to performances and events hosted by more than 30 local arts organizations.

Grizzlies fans seeking fresh gear can find hoodies emblazoned with “Standing on Grizzness,” embroidered color-block hats and other custom merchandise designed by Memphis artists at select home games.

Steven Soderbergh arguably hasn’t had a truly major theatrical movie since 2012’s “Magic Mike.”

Through April 6, art pieces are brightening the vacant spot in the shopping center where Brooks Brothers used to be until a new tenant arrives.

The follow-up to South Korean filmmaker Bong Joon Ho’s 2020 Best Picture-winning “Parasite” is here. 

Also opening this month: a group show featuring nine Memphis artists at Marshall Arts.

There are a lot of new movies opening this week, including films with Woody Harrelson, Natalie Morales, Ed Harris, Pete Davidson and Mid-South great Morgan Freeman. 

One might think that all of Stephen King’s work has already been adapted into a movie or miniseries, but here comes “The Monkey,” adapted from “Skeleton Crew,” one of King’s short story collections. 

With bold colors, layered textures and a deep love for Memphis traditions, artist Justin Bowles transforms everyday spaces into vibrant, immersive works of art.

Floyd Newsum Jr. frequently placed ladders — symbols of hope and rescue — in his works as an homage to his father, one of the first 12 Black firefighters in Memphis.

Brandice Daniel, founder of Harlem’s Fashion Row, is collaborating with Gap on a collection that will launch Friday and feature six designers.

It’s a week of uncertain sequels, Oscar shorts and an encore for a modern classic screen in Memphis this week.

Memphis Botanic Garden has been invaded in the best way possible.

The last of the Oscars’ Best Picture nominees to arrive in Memphis arrive this week, playing exclusively at Ridgeway Cinema Grill.

Powered by a $1.65 million grant, shared exhibitions will involve Fisk University, Arkansas Museum of Fine Arts, Birmingham Museum of Art and the Mississippi Museum of Art.

Months after his death, the first major Memphis exhibition of South Memphis native Floyd Newsum Jr. opens at the Dixon. Plus, a Colombian artist is showing at Sheet Cake Gallery.

Twenty years ago — Jan. 29, 2005 — was perhaps the greatest day in the history of Memphis movies, with a pair of made-in-Memphis films taking the top two prizes at the prestigious Sundance Film Festival.

The most notable new wide-release film opening in Memphis this week is the mysterious “Companion,” a comedy-thriller that’s gotten positive early buzz. 

The nominations for the 2025 Academy Awards will be announced Thursday, Jan. 23, and “The Brutalist” will probably figure prominently.