Brooks statues damaged after hit by van
Two of the museum’s three Wheeler Williams statues, named “Spring” and “Summer,” as well as the Brooks' exterior, were damaged.
Two of the museum’s three Wheeler Williams statues, named “Spring” and “Summer,” as well as the Brooks' exterior, were damaged.
“All Dirt Roads Taste of Salt” was not filmed in Memphis or in Tennessee. But Memphis and Tennessee have left indelible marks on the A24 film.
“I’m meeting all these artists from all over the world, and until someone told me that my art was of the caliber of those other artists, I would’ve never considered myself of that same caliber.”
The Dixon’s “Black Artists in America” exhibition is one of at least eight art shows in Memphis open this fall or winter based on an individual Black artist or group of Black artists.
Memphian Kaylyn Webster viewed art at the Dixon Gallery and Gardens as a child. A year after graduating college, her solo exhibition opens at the museum.
In the bright Saturday sun and cool fall breeze, a local nonprofit held its annual paint festival for the public to come out to support.
“It’s the biggest year we’ve had — ever,” Linn Sitler of the Memphis and Shelby County Film and Television Commission said. “It was bigger than in the ‘90s when we had pictures with huge budgets.”
His artwork, instantly recognizable, features a stylized guitar with an offbeat lyric that, at one point or another, went straight to his heart.
“The temporary restraining order on the Downtown site gave us an invaluable opportunity to reiterate our mission of bringing our community together,” says Carl Person, board president of Memphis Brooks Museum of Art.
Mike McCarthy and others want to preserve the city’s music culture with more sculptures similar to the Johnny Cash image he created that stands in Cooper-Young.
The two-day event headlined by Teenage Mutant Ninja Turtles co-creator Kevin Eastman features a stacked guest lineup that would make any comics fan giddy.
International award winners, Oscar hopefuls, revived cult classics and regional-interest documentaries — the Indie Memphis Film Festival will check those boxes and more when it begins its nearly weeklong run at multiple Memphis venues next month.
Amid a battle over public use of the river bluff, the Brooks Museum announced new details of a proposed open rooftop park at its planned Downtown location.
From the artwork covering the catalog, to the artist hired to create pieces in front of museum guests, a major exhibition has multiple Memphis influences.
Four years ago, Academy Award winning director and writer Barry Jenkins selected Raven Jackson winner of Indie Memphis’ Black screenwriter residency.
The film will be screened at the Cordova Malco Friday, Sept. 15 through Thursday, Sept. 21.
“There are so many other unique objects and curiosities in this relatable exhibit, all created by this country’s diverse population.”
Four years ago, Joel Parsons was in Bronxville, New York, when he saw something he wanted to bring back to Memphis.
“The Art of Liquid Art” exhibit honoring artists whose designs adorn beer cans, is set for 4-8 p.m. Thursday, Sept. 7 at Marshall Arts Gallery, 639 Marshall Ave.
“This event is a great community outreach,” said local artist David Yancy III as he led an art workshop at the Ravine in Memphis’ Edge District.
Memphis Botanic Garden heats up with the “Summer Sizzle ‘23” exhibit, where the works of more than 50 Memphis-area artists are on display.
“We’re just so proud to have the exhibition here in what is now the largest majority Black city in America,” said the Memphis Brooks Museum’s executive director. “We think it’s so essential that every Memphian sees themselves reflected here in our museum.”
Kong Wee Pang’s installation features designs on a dozen large umbrellas, augmented reality, seating, flowers and lighting.
Amro Music first opened shop in Memphis in 1921, surviving the Great Depression a decade later by trading milk and eggs for piano lessons. Today it’s the largest piano, band and orchestra dealer in the Mid-South.
The initiative began several years ago when Crosstown Concourse was still under construction. The Moonpie Project was a brainchild of muralist Michael “Birdcap” Roy.