‘Lost in Orion,’ Don Lifted’s somber yet catchy debut single with Fat Possum Records, is ‘the culmination of a really tough, frustrating and death-ridden time,’ the artist says.

The annual “30 Days of Opera” performances, free and outdoors, seem made to order for pandemic times, though the series has been around at Opera Memphis since 2012.

After missing 2020 due to COVID, two popular spring/summer Memphis concert series are returning next month in altered form.

Musicians will perform live at The Grove at GPAC on Thursday nights through April. The concerts are free, and cocktails and snacks will be available to purchase.

The two-day event is a thank-you to supporters of Black Lodge’s Indiegogo campaign, which reached its financial goal before it was set to end. 

The concerts on a stage surrounded by “hundreds of candles,” will be limited capacity and socially distanced, with food trucks and bars available.

The first concert at the 10,000-seat Landers Center is slated March 26 featuring country music artist Parker McCollum.

A mix of Black women music-makers from Memphis, past and present, honors both February’s Black History Month celebration and Women’s History Month in March. 

Rev. Juan Shipp of D-Vine Spirituals introduced King to the head of Bible & Tire Recording Co., and she soon found herself back in front of a studio microphone: ‘It was pure magic, almost like her voice had been frozen in time,’ said the producer.

Viewers of a recent commercial might have found themselves moving to music created by Memphians. 

Graceland, Live at the Garden and Levitt Shell are planning for 2021 concerts after 2020 shut everything down.

Minglewood Plaza owner Richard Roberts also is looking for someone to manage Minglewood Hall concert venue. Other businesses inside Minglewood Plaza continue to operate.

Jordan Dodson, who performs as Jordan Occasionally, wrote the song “Don’t Shoot,” which became an unofficial anthem of the widespread Black Lives Matter protests in Memphis in 2020.

‘Nostalgia drives tourism, but Memphis is making new moves now — it’s time to move on from Elvis,’ says Brady Tackett, who makes music as Night Park.

Memphis in May has moved its planned 2021 salute to Ghana to 2022 because of the ongoing coronavirus pandemic.

The festival is now slated for Oct. 1-3, moving west from its initial home at Shelby Farms Park to the Radians Amphitheater at the Memphis Botanic Garden. 

The National Civil Rights Museum will host a virtual panel Feb. 5 with editors and contributors to the new book “Four Hundred Souls.”

WYXR-FM 91.7 is a local “cool” nonprofit radio station built by the University of Memphis, Crosstown Concourse and Daily Memphian.

The answer is simple and it also stings. It’s in Nashville because Nashville asked for it.

In.Live will stream the “Coming Together,” organized by former Big Star drummer Jody Stephens of Ardent. Performers will also include Keith Sykes and musicians from bands such as Cheap Trick, The Posies and Wilco.

Over the past quarter century, Robert Gordon’s book has become a favorite of music lovers, and now it’s back in a revised edition that features 80 new photographs, fresh interviews, and an updated introduction.

Berl Olswanger died in 1981, and now his daughter is working with Big Round Records to bring out digital releases of three of his records from the 1950s and ’60s. 

An exhibit that opened recently marks the half-century anniversary of one of American culture’s more colorful and peculiar moments. 

The music nonprofit is expanding performance opportunities for musicians. The new space is a vacant half-acre lot behind the site of the renowned blues musician’s family home.

We can pledge not to go “back to normal.” Normal, in the best of times, found us donating to GoFundMe campaigns to cover emergency medical bills of folks in our music community. Normal was $100 a gig for musicians. Normal is the system that’s broken.