Red Bull Dance Your Style debuts in Memphis
With impromptu choreography and no pre-chosen music, talent from Louisiana and Memphis competed Sunday using styles of jookin’, krumping, locking, popping and more with the audience serving as judges.
With impromptu choreography and no pre-chosen music, talent from Louisiana and Memphis competed Sunday using styles of jookin’, krumping, locking, popping and more with the audience serving as judges.
Broadway theater has returned to the Orpheum, starting with “Come From Away,” a musical production about airplane passengers diverted to a small town in Newfoundland following the terrorist attacks on Sept. 11, 2001.
Barbecue fest was actually held at Liberty Park in 2011 after flooding on the Mississippi River necessitated it be moved.
BPACC begins its 23rd season on Saturday, Oct. 2, running through May 7, 2022.
The former Memphian “had no qualms” about the project. “I grew up in Tennessee. Tina (Turner) grew up in Tennessee. I know that place. I know the culture.” Hall is up for two Tony Awards at the ceremony Sunday, Sept. 26.
It’s Southern Heritage Classic weekend, bringing football fans to town, and the Levitt Shell concert series heats up. Elsewhere: Flicks both foodie and futuristic, some left-of-center country and two high-wattage authors.
With an emphasis on Memphis and regional music, River City Records will be the only Downtown record shop north of the Beale, and the biggest since Pop Tunes closed more than a decade ago.
There will also be a lottery for 40 $10 seats for each performance; details will be announced.
“The tribute artists are not the parody,” said Angie Marchese, vice president of archives and exhibits at Graceland. “These guys are true artists. They’re singers, they’re craftsmen, paying tribute to someone who has changed their lives.”
The local 12-year-old is getting his shot at the big time as the understudy in a production by the Metropolitan Opera in New York City.
After making a splash with last fall’s BVOE, Off the Walls Arts returns with FIREBIRD, blending modern dance and sculpture at its unconventional South Memphis arts space.
The Levitt Shell’s fall concert season lineup has a Memphis-first bent.
Thursday marked the launch of initial plans for the $50 million project near Winchester and Riverdale roads.
Opera Memphis’ Ned Canty talks to Eric Barnes about the organization’s efforts to bring opera out of the opera house, the struggle to support performers during COVID, and the opportunities Opera Memphis has going forward.
Two Memphis nonprofits — Collage Dance Collective and Memphis Music Initiative — recently received grants from MacKenzie Scott, billionaire philanthropist and ex-wife of Amazon founder Jeff Bezos.
BLP Film Studios founder Jason A. Farmer hopes to fulfill a longtime Memphis dream with an ambitious Whitehaven film lot.
Craigmont High graduate Katori Hall was awarded a Pulitzer Prize Friday, June 11 in the 2021 drama category for her latest work “The Hot Wing King.”
Proposed is a 15,000-square-foot building that includes a 7,000-square-foot soundstage, all to help young Memphians prepare for careers in film and television.
Though the theater major will be discontinued, the Rhodes Theatre Guild will still be active, according to the college’s vice president of academic affairs.
How does an organization like The Levitt Shell — which was founded to offer as many as 50 free concerts a year — adapt to COVID?
Venues for live performance – the Orpheum, the Levitt Shell, the Landers Center – say audiences are eager for a return to shows.
When she took over as executive producer, Theatre Memphis was full of debt with no endowment. Now the theater is in the black, full of hope, with an endowment, and a major capital campaign nearing completion.
The Citizens to Preserve Overton Park took its fight to stop a highway all the way to the U.S. Supreme Court. Playwright Virginia Ralph saw an imaginative children’s musical in that real-life story. Activists saved Overton Park; now they just may stop a pipelineRelated story:
The annual “30 Days of Opera” performances, free and outdoors, seem made to order for pandemic times, though the series has been around at Opera Memphis since 2012.
‘These are places never seen by the public and never to be seen again,’ said Orpheum president Brett Batterson.