“Coffee brings people to the table,” Cxffeeblack founder Bartholomew Jones said.

About 30 people showed up to the Mid-South Ice House Saturday to learn the ancient sport of curling, taught by members of the Mid-South Curling Club.

“Jeopardy” champ James Holzhauer and 3,000 more bridge fanatics from all over the world are in Memphis the next few days for the American Contract Bridge League’s spring championship tournament.

Grizzlies fans seeking fresh gear can find hoodies emblazoned with “Standing on Grizzness,” embroidered color-block hats and other custom merchandise designed by Memphis artists at select home games.

This week, the owls are not what they seem at Crosstown Arts, “Whose Line is it Anyway?” hits the road and the Orpheum reveals its next Broadway lineup.

Steven Soderbergh arguably hasn’t had a truly major theatrical movie since 2012’s “Magic Mike.”

Through April 6, art pieces are brightening the vacant spot in the shopping center where Brooks Brothers used to be until a new tenant arrives.

While in Nashville asking the Legislature for support for the Rock ’n‘ Soul Museum, Priscilla Presley was given the highest civilian award Tennessee can bestow.

The eight productions in Germantown Community Theatre’s latest season include musicals, comedies, plays, a youth production, and the winner of the organization’s emerging playwright contest.

Being prepared was the theme of the day at the Women in the Arts event, which was held Saturday at the Dixon Gallery and Gardens, and at Theatre Memphis.

Crosstown Concourse hosted its third annual Mario Day for fans of the mustachioed character that debuted more than 40 years ago in the original Donkey Kong stand-up arcade game.

More acts scheduled for the 2025-2026 season include Sutton Foster, Yonder Mountain String Band, Ladysmith Black Mambazo, Kandace Springs, and The Hot Sardines.

This week, dance all night to R&B hits from Colors Worldwide, warm up with whiskey and celebrate women in the arts. 

A gathering at Minglewood Hall drew more than 100 people in the first session to gauge reaction to a new report on the Memphis music ecosystem.

Neely’s involvement with “Bluff City Life” began behind the scenes, as a producer, before she stepped into the role of host.

Independent record label Light in the Attic Records, which sells directly to hundreds of record stores and retailers worldwide, is set to open a warehouse facility in Memphis.

The follow-up to South Korean filmmaker Bong Joon Ho’s 2020 Best Picture-winning “Parasite” is here. 

Seven musicals will be presented, including a regional premiere of “Come From Away,” the Tony Award-winning musical.

The forgivable loans will fund facade improvements, streetscape changes and interior design.

Memphis' annual Ostrander Awards may not be held this summer as the organization struggles to find funding.

Cost estimates total about $88 million, up from an estimate of about $84 million a year ago. It’s the first major expansion since the venue opened in 2000.

“This project is a reflection of that shared experience — two cities with so much talent and so much to say. ... Memphis and St. Louis are both places where success doesn’t come easy, but that’s exactly why it’s so worth it.”

In March, musicians performing locally are in the Rock and Roll Hall of Fame, Grammy Hall of Fame, Hollywood Walk of Fame and have earned Tiny Desk Contest, Grammy Lifetime Achievement Award and Juno Award wins.

Also opening this month: a group show featuring nine Memphis artists at Marshall Arts.