The school of music is not the same without togetherness and non-digital interaction.

Organizers with Memphis Botanic Garden have announced the cancellation of their 20th annual "Live at the Garden" concert series.

Even without a traditional music business major, Rhodes College and its Mike Curb Institute have allowed students opportunities within the music industry professionals, earning national recognition.

Festival organizers say the majority of previously announced acts will remain on-board for the rescheduled Beale Street Music Festival in October. A revised lineup announcement with replacement acts is planned for June.

From Sam Cooke to Motown, blues to the British Invasion to his own classic songwriting, Otis Redding’s groundbreaking 1965 album turned everything it touched into one man’s soulful sound. 

Following the heritage set by his father, Sam Phillips, music man Knox Phillips carried on the family legacy, his love for Memphis and its music. Knox Phillips died Wednesday night.

Two Mid-South teachers were among 30 winners nationally of the CMA Foundation Music Teachers of Excellence award. The ceremony was delayed until fall.

John Prine was raised in Illinois and settled in Nashville, but he recorded three of his first six albums at different Memphis studios, including his classic debut, “John Prine.”

By taking a chance on playing a concert at Rhodes College, Marsalis gave the Curb Institute credibility and paved the way for appearances by George Coleman, Dee Dee Bridgewater, Harold Mabern and Charles Lloyd.

At a Chicago church, on the day after Dr. Martin Luther King Jr. was assassinated in Memphis, Mississippi-bred bluesman Otis Spann delivered what arguably remains the most profound musical response to the tragedy. 

Actor Princeton Echols, rapper Marco Pavé and producer Adrian Ford are among the familiar Memphis faces seen and heard in Netflix's hit feature film, “Uncorked,” about a Bluff City family.

“There wouldn’t have been a Select-O-Hits had Jerry Lee not married his 13-year-old first cousin,” Johnny Phillips said of the family-run business that has transitioned from vinyl to cassettes to CD's to digital production. “Who would’ve thought that?”

Levitt Shell hopes to reschedule the Wilco show for Spring 2021.

Like a “Memphis music milkman,” artist Graham Winchester makes personal deliveries of his new vinyl single, while Opera Memphis vocalists take requests for outdoor neighborhood performances. 

With three hit singles, two turf-grabbing country covers, definitive secular and religious anthems and some of the most tender pop music ever recorded, 1973's "Call Me" is Al Green's finest moment.

The orchestra will salute Beethoven’s 250th birthday with Symphony No. 9, perform a tribute to Aretha Franklin and revisit “Romeo and Juliet” with the help of the Tennessee Shakespeare Company.

Gerald Jenkins travels the globe as a keyboardist in a soul band. But demand for the music he performed in Memphis' 1990s rap scene led him to put his keys down and pick up the microphone again for a Japanese tour.

The free event will include headlining performances from Southern Avenue, MonoNeon and Ben Nichols of Lucero.

For the era of inclusion, Moody seems to have come straight out of central casting. He’s 52 but he could pass for 38. He doesn’t mind a stunt, like conducting the theme to "Jurassic Park" in a T-Rex costume."

Memphis artists confirmed to appear include Don Bryant & the Bo-Keys, Moneybagg Yo and Al Kapone.

Mark Anthony Lee spent the early '80s strumming and skating at the same time. But after years on the sidelines of Memphis soul, a Los Angeles record label has tapped his 1982 single for a compilation of unsung Memphis artists.

A remix for Memphis rapper Duke Deuce's “Crunk Ain’t Dead” features Atlanta’s self-proclaimed “King of Crunk” Lil’ Jon, as well as the Arcade, the Orpheum and Crystal Palace.

Levitt Shell officials are planning four ticketed benefit concerts to aid in preservation of the park.

The 41st annual Blues Music Awards will be held at the Cannon Center with an after-party in the lobby of the Renasant Convention Center.

In advance of a performance at Crosstown Theater, Booker T. Jones reflects on his recent visit to Memphis and the meaning of homecomings.