Chris Herrington
Herrington: Questions for Memphis Grizzlies training camp
On Monday, Sept. 30, the Memphis Grizzlies start the engine on their 2024-2025 season. Here are nine storylines to watch in the coming weeks.
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Chris Herrington has covered the Memphis Grizzlies, in one way or another, since the franchise’s second season in Memphis, while also writing about music, movies, food and civic life.
There are 1914 articles by Chris Herrington :
On Monday, Sept. 30, the Memphis Grizzlies start the engine on their 2024-2025 season. Here are nine storylines to watch in the coming weeks.
Drew Hill and Chris Herrington discuss moves the Grizzlies could make now that Derrick Rose has retired.
This week, sneakers meet art and cocktails at Artifacts, Memphians tell stories at TEDx and Orchestra Noir is bringing Y2K back.
Named after a Memphis grocery store chain, Big Star recorded three haphazardly distributed albums over the course of just a few years, toured sporadically, got good press and had no hits. This obscurity grew over time into a considerable cult.
James Carr’s “The Dark End of the Street,” a little-known but oft-covered song, is possibly the greatest Memphis soul song of all time.
On the eve of Chris Herrington’s move to Minnesota, “Sound Bites” food podcast producer Natalie Van Gundy asked him what Memphis foods he would miss. He said, “I guess I’ll find out.”
James Carr’s “The Dark End of the Street,” a little-known but oft-covered song, is possibly the greatest Memphis soul song of all time.
Other movies showing this week: the horror movie “Azrael,” biopic “Lee,” religious movie “Faith of Angels,” partisan documentary “Vindicating Trump” and more.
Major music figures from elsewhere often appear at the event to celebrate Memphis music greats, though perhaps few with the stature of Young.
Lean into Western fare at Thornwood’s new restaurant.
Rhodes, Chalmers, Rhodes — a white country-music sister act and a sax player for Jerry Lee Lewis — were backup singers for most of Al Green’s 1970s soul hits. And now they’re getting their due in the Memphis Music Hall of Fame.
This week, celebrate Latin culture with salsa dance, art, DJs and an Overton Square fest. Plus, old-school hip-hop artists come together in Orange Mound, and 1990s alt-rockers The Wallflowers take the stage at Graceland.
Drew Hill and Chris Herrington discuss the offseason coaching changes and how they might impact the Grizzlies this season.
The WLOK Black Film Festival screens “Respect,” “The Bucket List” and “The Great Debaters” while the Summer Drive-In brings a doozy of David Fincher.
Should he remain a starter, or does he serve better as the team’s backup point guard?
This week, fests feature French films, multiple styles of yoga, live music and more than 430 local artists and vendors.
This week’s special Memphis screenings include “Blazing Saddles,” “Everything Everywhere all at Once” and a free French film festival.
“If W.C. Handy was a talented, opportunistic musician in the right place at the right time, Louis Armstrong was a genius, period. And Armstrong and his “All-Stars” band elevate Handy’s famous tunes.”
From Sam Cooke to Motown, blues to the British Invasion to his own classic songwriting, Otis Redding’s groundbreaking 1965 album turned everything it touched into one man’s soulful sound.
Memphis murder and homicide rates are meaningfully down so far this year, Ja Morant was behind the camera this weekend and we tell you where to start for Memphis art.
Will Jackson’s bad luck affect the team? Will Morant have the best season of his career? Drew Hill and Chris Herrington discuss.
This week, Memphis musicians preview AmericanaFest sets, pink wines get some love and 35 years of the Southern Heritage Classic are on display.
Opening in Memphis on Wednesday is “Beetlejuice Beetlejuice,” a 36-years-later sequel that features all four key principals from the original.
At a Chicago church, on the day after Dr. Martin Luther King Jr. was assassinated in Memphis, Mississippi-bred bluesman Otis Spann delivered what arguably remains the most profound musical response to the tragedy.
Elvis’ popularity may have started this week in 1956. That’s when “Hound Dog” and “Don’t Be Cruel”— constituting two sides of one 45 rpm single — reached the top of Billboard's pop singles chart.