The To-Do List: Rock and bounce on Mud Island, glow at FedExForum
This week, a Día de Los Muertos parade honors the dead, a Memphis Botanic Garden festival celebrates Japan and three new art shows open at the Dixon Gallery and Gardens.
This week, a Día de Los Muertos parade honors the dead, a Memphis Botanic Garden festival celebrates Japan and three new art shows open at the Dixon Gallery and Gardens.
The event is a chance for attendees to see the beginnings of a new attraction being built in the former Mississippi River Museum at the park.
Billy Redden, famous as Banjo Boy in “Deliverance,” is one of many horror stars coming to the Memphis Monster Con next month.
Ten years ago, Andria Brown hosted the first Folk All Y’all concert. Since then, the series has become known for spotlighting fresh, touring artists. However, without sponsors, shows for 2025 are on hold.
“Godzilla Minus One” works as action and drama, as monster-movie and as a metaphor for the nuclear anxiety of postwar Japan. It’s just a terrific movie, according to Chris Herrington.
“Resurrection Fern,” the second full-length album from the 24-year-old, is a product of stepping fully into adulthood.
Sheila E., a Grammy- and Emmy-nominated musician and percussionist, will discuss her music and career at Rhodes College Oct. 28 as part of its Springfield Music Lecture Series.
Sure there are plenty of comics to buy, including a first edition of “Superman,” but the event at Renasant Convention Center is mostly about costumes, fun and a chance to meet the creators of popular characters.
The festival will include screenings of four short films. Attendees can vote for which one should receive a $10,000 prize.
“We All We Got: A Binghampton Play” is the culmination of an inaugural Orpheum community playmaking program called Neighborhood Play.
Growing from a four-week summer camp, Contemporary Arts Memphis’ official headquarters provides a student gallery area and room for art instruction.
This week, Sheila E. brings the “Glamorous Life” to Rhodes, Choices celebrates 50 years and the Memphis Tequila Festival helps you get into the Halloween spirit(s).
In the documentary five Memphis women are interviewed about their mental health — specifically anxiety — and how they deal with challenges.
WYXR’s Jared Boyd and Liv Cohen join Eric Barnes on The Sidebar to talk about the station’s four years since launch and the upcoming Raised By Sound Fest in December.
“The easiest way to explain is that for the first time in the city’s history, we’ve created what is basically an Office of Arts and Culture,” said an official involved in the hire.
“Even when (GloRilla) talks about the struggles throughout this journey, it’s refreshing,” said Yo Gotti. “I don’t think many artists do that. Everybody wants to play perfect. I think that’s why so many people gravitate to her. She relates to real people.”
This week’s recommendations are very much in “proceed with caution” territory. Plus, “Conclave” joins the Oscar race.
Local and state leaders hope the fourth annual Stomp the City Iconic Awards Show will help reduce crime and gun violence in Memphis.
In the second Halloween guide in our Holidays in Memphis series, we’ve got decorating tips, pumpkin everything, candy ideas and a list of trick-or-treating events and grown-up parties.
“I believe it’s a beautiful way to merge the arts and give us a day to show something positive because there is so much love and talent in the Mound,” said one of the participating artists.
The Hyatt Centric Beale Street Memphis hotel, just up the bluff from Riverside Drive at Beale Street, will open a new exhibition Saturday, Oct. 19.
Lora Chilton joined Eric Barnes on this week’s episode of “The Sidebar” to talk about the book, her family’s history, her writing process and the necessity of telling the full story of the violence against the Patawomeck.
When a comedian and a playwright discovered they were dating the same guy, it was only logical they would write a screenplay about it.
This week, get your damaged doodads repaired at the Metal Museum, take a selfie with an alpaca in Overton Square and do the Time Warp again.
In the annals of American music comebacks, few were as surprising, as long-in-coming or, in its own modestly charming way, as grand as the re-emergence of Alberta Hunter in the late 1970s.